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anitAFRIKA! dub theatre wombanifestowombandateanitAFRIKA! dub theatre is a radical arts centre founded on 7 principles of dubpoetry & dubtheatre: the use of rhythm, language, political protext, orality, urgency, integrity, and sacredness as mediums of social change through storytelling. birthed by d'bi.young in spring 2008 during her professional dubtheatre mentorship with visionary dub aatist ahdri zhina mandiela, this movement provides communities with creative resources that facilitate and promote the ideas of accountability and responsibility between the storyteller and the people: the artist as leader and revolushunary keeper of the sacred. programmingprogramming includes residencies, courses, workshops, series, gatherings, speshal events, and festivals which range from paid, to pay-what-you-can, to no cost, in order to keep the centre's art activities accessible to all our communities. there are three terms in a year: september-december, january-april, and may-august. festivals are the storyteller.groundings.fest, mikey smith new works festival, and the word! sound! powah! fest. there are 5 - 7 spaces available for year-long artist residencies. please contact us for further info on any of our activities. herstoryadt! is inspired by the seminal work of dubpoetry visionaries anita stewart and ahdri zhina mandiela. trained during the early to mid eighties at the jamaica school of drama (now the edna manley college of visual and performing arts), anita stewart wrote her thesis dubbin theatre: dub poetry as a theatre form on the progressive movement of dubpoetry into a theatrical realm which radically dramatized both the socio-economic tribulations of the jamaican people, as well as their potential for rebellion against their oppressors. in her unpublished manuscript stewart identifies four major elements of the then emerging artform of dubpoetry -- music, language, politics and performance -- as bridges between the personal and the political and vice versa. stewart's early documentation and analysis of dubpoetry as a working people's socio-political movement, provide the primary lens through which adt! focuses. in the late eighties early nineties, ahdri zhina mandiela coined and further developed the term dub theatre in reference to her own evolving work as a dub aatist. in the prelude to her dark diaspora... in dub: a dub theatre piece she defines dubtheatre as dramatized stage presentation comprised of varying performance component, including an indispensable/uniquely tailored dance language threading thru oral/choral work proliferating with endemic musical elements. d'bi.young is a second generation dubpoet who learnt the artform from her her mother anita stewart and her mentor ahdri zhina mandiela. young is building on the foundational work of stewart and mandiela by developing dubpoetry/dubtheatre theory and practice through anitAFRIKA! dub theatre: a launch pad of artistic training that locates itself within art for social change. adt! collective
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